WebIncludes bibliographical references (p. [285]-296) and index. Electronic reproduction. WebIn Rhetorics of Fantasy, Farah Mendlesohn identifies four different ways in which fantasy writers engage with their book (and their readers). First is the portal / quest fantasy, …
Mendlesohn’s Rhetorics of Fantasy – The World
WebApr 30, 2008 · Transcending arguments over the definition of fantasy literature, Rhetorics of Fantasy introduces a provocative new system of … WebJan 1, 2014 · Transcending arguments over the definition of fantasy literature, Rhetorics of Fantasy introduces a provocative new system of classification for the genre. U... open shelves in small kitchens
Rhetorics of Fantasy by Farah Mendlesohn - 9780819568687
WebThe “explanation” they offer is of worlds slipping between each other, of uncontrolled contact with fairy.”. ― Farah Mendlesohn, Rhetorics of Fantasy. tags: footnotes , susanna-clarke. 7 likes. Like. “Neither they nor Warren Rochelle (‘ Dual Attractions’, 1999) nor Chris West (‘ Queer Fears and Critical Orthodoxies’, 2002 ... WebRhetorics of Fantasy - Farah Mendlesohn 2013-02-15 Transcending arguments over the definition of fantasy literature, Rhetorics of Fantasy introduces a ... Rhetorics of Fantasy will excite fans and provide a wealth of material for scholarly and classroom discussion. Includes discussion of works by over 100 authors, including Lloyd Alexander ... But in her book Rhetorics of Fantasy, Farah Mendlesohn makes a sharp riposte to such prejudice: “All literature builds worlds, but some genres are more honest about it than others.” Mendlesohn’s book draws on a plethora of examples to illustrate some intriguing perspectives on fantasy fiction. See more The portal/quest fantasy is characterised by a newness, an unfamiliarity to the characters which begets a need for description and explanation. The characters are … See more A huge swathe of fantasy falls into the immersive category: complete worlds which the characters know, understand and live in. The reader sits just outside the story, but still within a sphere where the fantastic events must … See more Liminal fantasy is the category that Mendlesohn appears to find most difficult to characterise. A fantasy of estrangement, of the … See more Intrusive fantasy is where the “fantastic” intrudes into an existing comfortable world – a world which is often but not necessarily our contemporary Earth – bringing threat and conflict with it. Buffy the Vampire Slayer … See more ipage setsearchcount